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Got dazzling reviews at the Venice Film Festival (BBC gave it Five Stars) and looks like another hit for young director Damien Chazelle. Stars Ryan Gosling and Claire Foy, based on the book by James R. Hansen. Sounds like NASA and the Armstrong family were vital to ensuring the film's authenticity.
The film, based on James R Hansen’s book, traces Armstrong’s journey from family tragedy to the moon landing and what the NASA technicians and astronauts endured along the way.
Writer Josh Singer, who won an Oscar for penning 2015’s Best Picture winner Spotlight (a film that also premiered on the Lido), credited Armstrong’s family for helping the filmmakers get “underneath who Neil was” which helped get at “the human as opposed to the icon.”
Gosling said in researching the intensely private Armstrong. “I’ve never had more help in my life on a film… Whether it was Neil’s sons or his late ex-wife Janet or Neil’s sister, his childhood friends… NASA opened the door to the facilities. Neil was a very famously introspective quiet humble person so the challenge was to honor that but also to create windows into what he might be or had been experiencing emotionally at the time.”
Gosling also learned a lesson. “I thought what I should do was learn how to fly.” But not too long in, when the instructor told him to take the plane into a controlled stall, “I thought in that moment, ‘This is a terrible idea and there was a reason why Neil Armstrong was destined to be one of the greatest pilots and I’m not.’ In that moment, I realized something about Neil. It’s a certain kind of person that will get into a plane and intentionally push it to its breaking point for the sole purpose of pushing our aeronautics forward.”
To achieve authentic sound, the team used actual X15 suits and the helmets of real astronauts at the time. They also re-created tiny space capsules that are faithful to the originals. Jason Clarke, who plays Apollo astronaut Eddie White, called the experience of shooting in them “surreal.”
The film, based on James R Hansen’s book, traces Armstrong’s journey from family tragedy to the moon landing and what the NASA technicians and astronauts endured along the way.
Writer Josh Singer, who won an Oscar for penning 2015’s Best Picture winner Spotlight (a film that also premiered on the Lido), credited Armstrong’s family for helping the filmmakers get “underneath who Neil was” which helped get at “the human as opposed to the icon.”
Gosling said in researching the intensely private Armstrong. “I’ve never had more help in my life on a film… Whether it was Neil’s sons or his late ex-wife Janet or Neil’s sister, his childhood friends… NASA opened the door to the facilities. Neil was a very famously introspective quiet humble person so the challenge was to honor that but also to create windows into what he might be or had been experiencing emotionally at the time.”
Gosling also learned a lesson. “I thought what I should do was learn how to fly.” But not too long in, when the instructor told him to take the plane into a controlled stall, “I thought in that moment, ‘This is a terrible idea and there was a reason why Neil Armstrong was destined to be one of the greatest pilots and I’m not.’ In that moment, I realized something about Neil. It’s a certain kind of person that will get into a plane and intentionally push it to its breaking point for the sole purpose of pushing our aeronautics forward.”
To achieve authentic sound, the team used actual X15 suits and the helmets of real astronauts at the time. They also re-created tiny space capsules that are faithful to the originals. Jason Clarke, who plays Apollo astronaut Eddie White, called the experience of shooting in them “surreal.”