Wow, that is so vivid it could be a photo.The Moorish Chief (originally titled The Guardian of the Seraglio), 1878. Painted Oil on Wood Panel by
Eduard Charlemont. You can see it at the Philadelphia Museum Of Art
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Wow, that is so vivid it could be a photo.The Moorish Chief (originally titled The Guardian of the Seraglio), 1878. Painted Oil on Wood Panel by
Eduard Charlemont. You can see it at the Philadelphia Museum Of Art
![]()
Wow, that is so vivid it could be a photo.
Sh!t, I lost that bet. I thought you WERE Bob Ross, but it was hard to explain the posting from the grave...Anything by Bob Ross!
Maybe this is too predictable, but Nighthawks by Edward Hopper really gets me. In Chicago.
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While seeing this Ferris Bueller classic at the artic is truly a take your breath away experience and high on my list, I am going to go with the Giotto frescoes at the Basilica of St. Francis of Assisi.And Seurat’s A Sunday Afternoon on the Island of La Grande Jatte, also in Chicago. My parents had a print of it on our living room wall. It saddens me that my father never saw it in person.
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The Moorish Chief (originally titled The Guardian of the Seraglio), 1878. Painted Oil on Wood Panel by
Eduard Charlemont. You can see it at the Philadelphia Museum Of Art
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I’m more of a sculpture fan. Wife and I saw this at the accademia almost 10 years ago. Still the only piece of art among many trips to museums that we just sat and looked at it. The facial features are mesmerizing.
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Really enjoyed pieta as well
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Rounding out my top 3 is the rape of proserpina (Bernini)
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The only painting that really held me was the last judgement
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True story: We go in to St Peters and make our way over to the Pieta. As I am admiring it, a guy next to me who has been looking at it asks in a loud voice with a New Jersey accent, “Is that the original?”I’m more of a sculpture fan. Wife and I saw this at the accademia almost 10 years ago. Still the only piece of art among many trips to museums that we just sat and looked at it. The facial features are mesmerizing.
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Really enjoyed pieta as well
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Rounding out my top 3 is the rape of proserpina (Bernini)
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The only painting that really held me was the last judgement
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This is a very good thread Mr. Potter. Congrats.
Indeed. Who knew there was culture amongst us?This is a very good thread Mr. Potter. Congrats.
He was probably being a clown. (One would hope.)True story: We go in to St Peters and make our way over to the Pieta. As I am admiring it, a guy next to me who has been looking at it asks in a loud voice with a New Jersey accent, “Is that the original?”
Unfortunately no. When told that it was he suddenly became more interestedHe was probably being a clown. (One would hope.)
Well, it’s never too late to become educated.Unfortunately no. When told that it was he suddenly became more interested
Someone mentioned it but evidently didn’t have the necessary posting chops.Couldn't wait any longer for someone to post this. This board is going downhill.![]()
At the D’Orsay:My wife inherited two paintings with provenance that have been in the family. One is an Elaine de Kooning and another is a large format canvas from the assistant to Elaine and Willem. It is not fully understood how but, my wife’s grandfather became acquainted with some of the 10th street crowd in the late 50’s.
Neither my wife and I are big on abstract art but she is going to hang on to them because of the family connection.
We both favor impressionist art. We both love D’Orsay in Paris. We spend the entire day at D’Orsay.
Someone mentioned it but evidently didn’t have the necessary posting chops.
Couldn't wait any longer for someone to post this. This board is going downhill.![]()
Yeah, I posted about E. Buzz Miller's Art Classics and got no response.Couldn't wait any longer for someone to post this. This board is going downhill.![]()
I'm a big Jackson Pollock fan and just last week spent time visiting the Jackson Pollock/Lee Kransner house in the Springs section of East Hampton. Here is a pic of the only original remaining in the house and one that I particularly like. This was painted before his "pour" period while he was still living in NYC. The pour period had its genesis when he moved to East Hampton where he would lay canvases on the floor in the barn and paint from above.
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Interestingly, he was all but an indentured servant to Peggy Guggenheim who loaned him $2,000 to buy his house (no heat and no running water) and gave him a $300/mo stipend in exchange for all his work except for one painting a year which he was allowed to keep. He was a severely depressed person and an alcoholic who would drink until he would black out. Sadly he died in a one car accident near his home at the age of 44 with him behind the wheel, taking his young mistress with him.
Here are a few more pics from the house.
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The barn floor where he laid his canvasses.
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Jackson's wife and fellow artist Lee Krasner was in Paris to study
when he was killed.
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